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I have always preferred my movies a bit on the rare side: the bloodier, the better. For the first five years my husband and I were together, we shared a common interest in the most obscure horror movies we could find — Dario Argento, Ruggero Deodato, Gaspar Noe, Takashi Miike. We challenged one another, ordering movies like Cannibal Holocaust from Canada because it was hard to get in the states just to see if we could stomach it. (We could.) Read More »
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